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Bath's American Museum hosts colourful artistic world of knitwear and textile genius Kaffe Fassett

By Western Daily Press  |  Posted: March 28, 2014

  • Kaffe Fassett has a long association with Bath's American Museum, first exhibiting there in 1994 Pictures: Clare green

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The stunning creativity of world-renowned knitwear and textile designer Kaffe Fassett is on show at Bath's American Museum – celebrating his 50 years working as an artist and colourist.

Born in San Francisco in 1937 and raised in the creative community of Big Sur, California, Kaffe has a long association with the American Museum, first exhibiting there in 1994. When he came to live in Britain in the early 1960s, Kaffe stayed in Bath and was much inspired by the museum's diverse collections – especially its many antique quilts. Kaffe was fascinated not only with the block patterns created in these textile masterworks but also by their audacious use of juxtaposed colours and printed fabrics.

The Colourful World of Kaffe Fassett showcases how Kaffe lives by his maxim to find colour in a grey world. Designed by celebrated theatrical designer Johan Engels, the exhibition features more than a hundred sumptuous works of textile art – a kaleidoscope of knitwear, needlepoint, beading, and quilts – on display alongside vibrant mosaics and still life paintings by the Fassett. Nearly all the objects on view are from Kaffe's personal collection – the much-loved pieces that surround him as he creates. They offer a glimpse of the private man behind the public façade.

The exhibition features works spanning Kaffe's creative life, including drawings he made as a boy in California. These monochrome pictures are a far cry from the explosions of colour that made Kaffe a household name from the 1970s, as one of the great practitioners of contemporary craft. Visitors to the exhibition will discover zones, each showcasing a variety of materials by colour, from knitted shawls to gorgeous coats inspired by Shakespearean heroines, and cushions decorated with his detailed needlepoint designs.

Having captivated generations and transformed the textile industry, it is only fitting that Kaffe – an American in Britain – should have returned to the museum which so inspired him during those halcyon days in the early 1960s. Complementing the exhibition are exquisite pen drawings that Kaffe made of the American Museum's popular Period Rooms in 1964 on display in Claverton Manor. These delicate room portraits have not been exhibited to the public before and are a reminder that Kaffe began his career in the visual arts as a painter and illustrator.

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